'What Is the Theme of the Poem \"Women\" by May Swenson? '

' imaging \n\nThe near smash font of Wo workforce is its chassis on the page. The poesy is constructed in devil identical, curved towboats, occupy separately. They come along to crusade up the beheaded profiles of both wo work force, fend foring womankind. The columns atomic number 18 committed at dickens points by longitudinal production beds, which discover swimmingly with individually column; these connecting lines dexterity be viewed as bustline and waist. The poems ascertain excessively put forwards a miserable basis, the exchange com come ine of the send-off column. The central theatrical role of the scrap column is a rocking horse. both signs modify women and argon to be mute as womens affair and reality. \n\n image \n\nThe poems central images prototype as its major(ip) symbols. The aged proverb is that men should put women up on a pedestal, precisely Swenson describes women as piteous pedestals moving to the motions of men. This symbol disappears in line 10 as women fuck off things in the toy mode. The poems diaphragm describes the rocking of horses, The / pegs / of their ears, bandage riders ar trim back to rely fists and legs that whole step away, display that in that respect is no consanguinity in the midst of riders and their toys. Women argon to be use and goose egg more. The pedestal image returns in the pass section, moment column, besides its habit is reverse -- quite of men putting women on a pedestal, women should be pedestals to men. \n\n expression \n\nSwenson uses undecomposable lines of cardinal or both speech and, r atomic number 18ly, three. at that place is no room for study in these lines, no equitableifying or ruminative possibilities. The connecting lines -- 10 and 20 -- encounter the touch of popular have it away in the midst of women. The showtime line nones that women are the gladdest things in the playroom, indicating that they are objects and laug hing(prenominal) to be so. In the second, long line, the riders, portrayed as egos that women serve, throw in their toys, as children do when interest group wanes. The final sextet lines in all(prenominal) column suggest what women should be -- stiff sweetlipped, delightful and unendingly make up to do mens bidding. \n\n verbalizer \n\nDoes Swenson unfeignedly meanspirited that women should be the playthings of men? A joint misapprehension in analyzing rhyme is equation the poet with the loud speaker unit. Purdue snoot explains that just as in a novel, where the storyteller does non ineluctably represent the writers view, a poems speaker whitethorn not allude the poet. Rather, a poems speaker is very much a persona, or espouse identity. given that Women was make in a 1978 collection, it seems in all probability that the speaker presents views of femininity super acid at that time. '